Bronze bust, digital guard
Spieldauer:
10
Gattung:
Experimentalfilm, Dokumentarfilm
Veröffentlichungsdatum:
2025
Ursprungsland:
Spanien, Schweiz
Sprache:
Spanisch
Regisseur*innen:
Isabel Pastor / Benjamin Rossmann
Kurzbeschreibung:
Long Abstract:
This short piece blends elements of crime and experimental genres emerging from a real incident. It recounts how the theft of a former industrial patron’s bust prompted the installation of a modern video surveillance system, exploring the coexistence of objects shaped by different temporalities and the striking contrast of using cutting-edge technology to protect relics of the past. Both objects, bust and alarm perform authority, demanding recognition through different rhythms of care: the bust through presence and the alarm through action. Through the storytelling and display of photographs, a deeper layering of a pre-digital world emerges, opening a tension between analogue memory and the coded forms of remembrance that shape us now. The still, textured artifacts of the house echo the silent extraction of data that the new system performs, mirroring the thief’s tactile search in its automated acts.
The theft itself is narrated in detail by the daughter of the patron, not as a mere loss but as an event that reaffirms the bust’s weight, inviting reflection on the digital dust we unknowingly scatter and on the algorithms that translate our most intimate memories into coded sequences within electronic archives. In this layered space, the bust’s material weight meets the less visible architecture of surveillance. To evoke this entanglement, the film fuses images of the bust with those of a robotic head, tracing a restless continuity between material remembrance and the coded vigilance of digital systems.
Short abstract:
This short film blends elements of crime and experimental genres, emerging from a real theft that led to the installation of a modern video surveillance system. It explores the coexistence of objects shaped by different temporalities and the contrast between cutting-edge technology and relics of the past. Through storytelling and photographs, the film opens a tension between analogue memory and coded forms of remembrance, where tactile gestures of searching echo automated acts of surveillance.
Biografie Regisseur*innen:
Isabel Pastor is presently undertaking an interdisciplinary Master in Changing Societies at the University of Basel, focusing on anthropology and visual ethnography. Her background in Media and Communication informs her interest in understanding the rapid transformations shaping today’s environments.
Benjamin Rossmann is currently pursuing an MA in Anthropology and Sociology at the University of Basel. His work centers on questions of liminality, memory, and heritage, and he frequently employs visual methods, approaching ethnography as a space for imaginative exploration.
Sektionskategorie:
Blickfang Kurzfilmabend
Premierenstatus:
Deutschlandpremiere
Festival:
FFSH 2026
Trailer Link: